It started on the Northern Line, somewhere between Angel and Old Street, on a grey Tuesday morning in 2013. I’d forgotten my book. Out of desperation, I downloaded a title I’d been meaning to commission – and spent the entire commute completely still, headphones in, ignoring my stop. That was the moment I understood audiobooks weren’t a substitute for reading. They were something else entirely.
After nearly fifteen years in London publishing – signing literary fiction and narrative non-fiction for a major imprint – I kept searching for honest audiobook recommendations and finding mostly US-centric lists that didn’t reflect UK pricing, UK platform availability, or British tastes. Every site I visited either skipped Audible UK entirely or recycled press kits.
So in 2021, I left publishing. And in 2022, I built the site I’d been looking for: a UK-first guide to audiobooks, written by someone who has spent her career inside the industry – and her commutes testing it from the outside. Here, every recommendation comes from a genuine listen, every platform comparison is based on real subscriptions, and every review is what I’d tell a friend.
Every audiobook I recommend has been listened to in full. No skimmed summaries, no generic takes – just my honest verdict after real listening time.
With thousands of titles available, it’s easy to get lost. I sift through the noise so you don’t have to – and only surface titles genuinely worth your time.
Great literature should be accessible to everyone. I compare platform pricing, track free trials, and help you listen without overspending.
A great audiobook isn’t just a book read aloud – it’s a performance. When narrator and story align, it stays with you long after the last chapter ends.
Clara Whitmore, founder of My Audiobook
2004
BA English Literature – University of Exeter
Four years immersed in the English literary tradition, from Chaucer to Ishiguro. It was here that I first became fascinated by the relationship between text, voice and audience – a thread that would run through everything I did afterwards.
2006
Editorial Assistant, major London publisher
I joined one of London’s leading imprints straight out of university, initially working across literary fiction and narrative non-fiction. The commute from Islington on the Northern Line became a daily reading ritual.
2006–2021
Commissioning Editor – literary fiction & narrative non-fiction
Over fifteen years, I worked with some of the most distinctive voices in British and international fiction. I signed debut novelists, stewarded prize-listed titles, and championed books I believed in. I also started reviewing audiobooks for The Guardian Books and The Literary Review from 2013 onwards – initially as a side project, then as a serious parallel practice.
2013
Discovered audiobooks on the Northern Line
I’d forgotten my book one morning. I downloaded a title I’d been meaning to commission. By the time I resurfaced from the Tube, I was hooked. What followed was twelve years of listening – and growing frustration at the lack of honest, UK-focused audiobook criticism.
2022
Founded My Audiobook
After twenty years working in and around British books, I built the resource I’d been searching for: an independent, UK-first audiobook review site with no undisclosed sponsorships, no recycled press kits, and no American bias. My Audiobook is the guide I wanted to find on the Northern Line in 2013.
Fiction & Literature
Crime & Thriller
Classics & Heritage
Personal Development
Biographies & Memoirs
Health & Wellbeing
Children & Family
Fantasy
Science Fiction
Romance
Every review on this site is the product of my own listening. When I recommend an audiobook, it’s because I’ve heard it from start to finish and found it genuinely worth your time. I subscribe simultaneously to Audible UK, Kobo, Everand, and Storytel to give you real, up-to-date platform comparisons – not recycled press releases.
My Audiobook uses affiliate links. If you listen or buy through our links, we may earn a small commission at no extra cost to you – this is what keeps the site free and independent. Any affiliate arrangement is always clearly disclosed.
My editorial opinions are never influenced by affiliate relationships. No publisher or platform has ever paid me to write a positive review, and none ever will.