Anni Taylor writes the kind of thriller that begins in an ordinary landscape and slowly makes it strange. Stranger in the Woods announces its method in the title: a familiar setting, an outsider, and the growing conviction that something in the arrangement does not add up.
At close to fourteen hours she is working at the long end of the crime and thriller shelf, and that length changes the shape of the book. There is time for suspicion to build properly, for characters to be wrong about one another for chapters at a stretch, and for the reveal to feel earned rather than sprung. It is patient writing in a genre that often mistakes speed for tension.