Hampshire is not obvious murder country, and that is precisely the tension in Carol Cole’s crime writing. Murder in the New Forest drops DI Callum MacLean, newly arrived from Glasgow, into a landscape of ponies, tea rooms and very old grudges, then asks him to work out why an apparent accident is nothing of the sort.
The book opens the DI Callum MacLean mysteries, and the setup gives the series its engine: a city detective’s instincts rubbing against a close-knit rural community that closes ranks by habit rather than by conspiracy. The pacing is procedural in the traditional British sense, built on interviews, small inconsistencies and local knowledge.
There is evident affection for the setting. Fordingbridge and the forest around it are drawn with the detail of somewhere genuinely known, and that is what lifts the book clear of generic village crime.