Travel writing declares itself in a title, and Abroad in Japan declares plenty: an outsider’s account of a country, written from inside it. That is the whole of what our catalogue can tell you about Chris Broad, and it is honestly enough to know whether the book is for you.
The signal worth noticing is the narrator credit. Broad reads the book personally, which places it in the tradition of travel writing as first-person testimony rather than guidebook. Self-narrated travel tends to be conversational, funny about the writer’s own blunders, and interested in the ordinary texture of a place rather than its postcard views.
Eight hours is a well-judged length for the form. Long enough to build a picture of somewhere properly, short enough to hold together as a single account.