Before the novels, Don Winslow was a private investigator, a cinema manager and a guide on photographic safaris in Kenya. Born in New York in 1953 and raised on the Rhode Island coast, he spent years working cases and reading transcripts, and it shows: his crime writing has the grain of documents rather than the polish of invention.
His reputation rests on the Cartel Trilogy, the three-volume account of the drug war that runs from The Power of the Dog through The Cartel to The Border. It is reporting shaped as tragedy, thirty years of policy failure compressed into characters you cannot look away from. Beside it stand Savages, filmed by Oliver Stone, and The Force, a corrosive portrait of a decorated New York detective.
He writes in short, hammered sentences that read almost like screenplay direction, which is part of why the work transfers so well to audio. In recent years he has stepped back from fiction to campaign in American politics, a decision announced as bluntly as anything in his books.