One word for a title, and four shelves to hold it. Craftland is filed with us under arts and entertainment, classics and heritage, home and garden, and politics and society, and that spread is not indecision on our part. It is what tends to happen to writing about making things, because making things has never stayed inside one category for long.
James Fox reads the audiobook personally, which for material of this sort changes the character of the listening. An author narrating a subject they have spent real time inside brings emphasis that a hired voice, however skilled, has to construct from scratch.
The response has been consistently good across a healthy body of verdicts, which suggests the breadth is experienced as richness rather than as drift.