Gods and monsters in the same city, a house of devils behind them: Kayla Edwards is not writing at a modest scale. Twenty-five and a half hours makes City of Gods and Monsters one of the more demanding entries on the fantasy shelf, and demanding is clearly the intention.
Length like that changes the reading experience. A world gets built properly, factions acquire histories, and a romance running through it has time to become complicated rather than simply declared. Fantasy, romance and speculative fiction all lay claim to the title, which suggests a story untroubled by the boundaries between them.
What our catalogue holds is the fiction, and fiction on this scale tends to come from someone who trusts their readers to stay the course.