Abby Craden takes the narration, and a work of this length asks a particular kind of stamina from a reader: consistency of character across a dozen hours, so that the voices met in the first hour still sound like themselves in the last.
This is a scheduled arrival rather than something already on the shelf, and ratings have barely started, which is normal at this stage and not worth reading anything into either way.
Where to begin is straightforward, since this is where Duncan enters our shelves. Anyone who prefers a romance with room to breathe, and who has grown tired of stories resolving before they have properly started, should find the running time an argument in its favour rather than an obstacle. The listing below will tell you where things stand.