Peter May (born 1951) is a Scottish novelist and crime writer who came to fiction by way of television, where he worked as a screenwriter. That apprenticeship matters more than it might sound: television drama teaches structure, pace and the discipline of the hook, and those instincts are precisely what crime readers prize.
The bare facts are quickly told – Scottish, born mid-century, a career spanning screen and page – but the combination places him squarely within the strong modern tradition of Scottish crime writing, where atmosphere and landscape pull as much weight as plot. May learned storytelling as a trade before he practised it as a novelist, and it is exactly that professional’s economy that distinguishes his work.