Few memoirs arrive with as much noise around them as Spare, and the noise is worth setting aside, because what remains is a long, first person account delivered by the person who lived it. Our catalogue files it under memoir and society together, which is the right pairing: a private story that became a public argument the moment it appeared.
The interest for a listener is less the disclosures than the voice. Nearly sixteen hours of self narration is an unusual amount of time to spend with an author speaking about their own life, and the delivery carries hesitations, emphases and silences that no printed edition can reproduce.