Nearly eleven hours is a generous run for a single story, and it tells you something about how Learning Curves works: slowly, with room for its characters to change their minds. Length of that kind is a choice, and it usually signals a writer more interested in the shape of a relationship than in incident.
Reliable background on the author is not something we hold, so we will not manufacture any. What the catalogue records is the shelf, LGBTQ+ fiction, and the year of release, and those two facts place the work clearly enough: contemporary queer storytelling written for listeners who want the emotional detail left in rather than trimmed out.