Genre labels sit awkwardly on Death Rider. Our catalogue tags it as fantasy, as science fiction and as general fiction all at once, and rather than treat that as a filing error it is worth reading as a description: a story that declines to stay tidily inside a single tradition.
The writer behind it is not somebody we hold verified information about, so this page keeps to the recording. What that leaves is still useful. A title with real momentum to it, a run of ten hours that indicates a full novel rather than a novella, and a genre mix that tends to appeal to listeners who like their imagined worlds with a hard edge.