Holliday Grainger takes the narration, and in a thriller the reading is close to half the effect. Pace has to be held without hurry, and the genuinely unpleasant moments need a voice that declines to sensationalise them, since restraint is almost always more frightening than emphasis.
Ratings have yet to accumulate for this one, which is simply a function of how recently it landed rather than any comment on the writing.
Start here if you are meeting this author for the first time. It will suit listeners who want their crime bleak rather than comfortable, and who appreciate a running time that does not outstay its plot. What we hold is listed below.