Popular science needs someone willing to do the structural work behind the wonder, and that is the role Andrew Cohen’s writing plays. The Universe takes the largest subject available and organises it into something a listener can genuinely follow, moving from the very small to the almost unimaginable without losing the thread.
The tone is expansive rather than technical. Physics on this scale can be delivered as a wall of numbers, and the better approach, the one taken here, is to keep returning to the question of what any of it means for the people looking up. It sits on our science shelf but plays like a long and absorbing act of storytelling.