A bookshop after closing time is a small, warm, faintly conspiratorial place, and that is the setting Cat Sebastian chooses for After Hours at Dooryard Books. The title is a promise of a particular kind of story: intimate, low on spectacle, high on the pleasure of two people being left alone together.
The writing sits at the tender end of contemporary queer romance. Conflict comes from character rather than contrivance, the humour is dry, and the emotional stakes are the ordinary enormous ones of trusting somebody with the truth about yourself.
Readers who prize atmosphere will find plenty of it. The book understands that a romance is partly a place, and it builds one you would happily linger in long after the plot has resolved.