In 1881 Renoir painted two young sisters from a Jewish banking family in Paris, and the canvas has been admired ever since for its pink and blue serenity. Catherine Ostler’s The Renoir Girls asks what became of the children in it, and the answer turns a decorative portrait into something close to a tragedy.
The book follows the sisters from the Belle Époque to the Second World War, along paths that could hardly diverge more sharply: marriage into the English aristocracy and escape for one, collaboration for another, Auschwitz for a third. It is narrative history written with a biographer’s eye for the telling document.
What gives the book its force is the method. The painting is treated as evidence rather than decoration, and the research works patiently underneath its surface until the private history behind the public image comes through.