Sheffield has an outsized claim on British music, and Groovy, Laidback and Nasty sets out to explain how one post-industrial city produced so much of it. Daniel Dylan Wray has written a proper history here: electronic futurism, post-punk, pop, metal, bleep techno, bassline and indie, traced across decades rather than cherry-picked into a greatest hits.
What gives the book its authority is testimony. It rests on a very large body of first-hand interviews with the people who were actually there, which turns what might have been a chronology into something closer to oral history with an argument running through it. Our shelves file the title under classics and heritage, and for once the label is exactly right, because this is cultural heritage documented before it disappears.