Naming a series Thrown Away Children is not a neutral act. The phrase is an accusation, and it sets the terms for everything filed beneath it, including Diego’s Story, which follows the pattern the sequence uses: a child’s name on the cover, and a life told at the length it deserves rather than the length that would be comfortable.
Louise Allen writes these accounts, and our catalogue shelves this one across memoir, personal development and, rather more debatably, crime and thriller. The memoir shelf is the one to trust. Work of this kind belongs to a well-established tradition of first-person writing about difficult childhoods, a tradition that has found a large and committed readership precisely because it refuses to make the material easier than it actually was.