3 hours and 35 minutes
The Wee Free Men
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Photo: Luigi Novi, CC BY 3.0, via Wikimedia Commons
Author
Discworld from Mort to Going Postal: comic fantasy with a conscience
Terry Pratchett left school at seventeen for a job on the Bucks Free Press, spent years as a press officer for the electricity board, and wrote in the evenings until the writing paid better than the day job. In 1983 The Colour of Magic introduced a flat world carried on the backs of four elephants standing on a giant turtle, and the joke became a life’s work: forty-one Discworld novels, and for most of the 1990s the title of Britain’s bestselling author.
The parody hardened into something better. His later books are about policing, journalism, banking, religion and prejudice, argued through characters as durable as Sam Vimes, Granny Weatherwax and Death, who speaks in capital letters and is the kindest figure in the sequence.
He was knighted in 2009, diagnosed with a rare early-onset form of Alzheimer’s in 2007, and campaigned fiercely about dementia and about dying well until his death in 2015. He remains, by some distance, the most quoted comic novelist Britain has produced.
The good news for newcomers is that there is no compulsory starting point. Mort, read by Sian Clifford, is a near-perfect entry and among the best rated Discworld audiobooks we hold: Death takes an apprentice, and the apprentice makes a thorough mess of it. Wyrd Sisters with Indira Varma opens the witches; The Light Fantastic with Colin Morgan takes you back to the very beginning; The Wee Free Men, read by Tony Robinson, is the way in for younger listeners.
The recent recordings are worth the fuss. Jon Culshaw owns the City Watch novels, Richard Coyle handles Moist von Lipwig in Going Postal and Making Money, Mathew Baynton reads The Truth, and across the series Peter Serafinowicz voices Death while Bill Nighy delivers the footnotes.
More Discworld keeps arriving, so it is worth returning. Choose a sub-series and follow it below.
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